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He moved to Los Angeles, made his onscreen debut in a nonspeaking role as a jewelry fence on a 1969 episode of It Takes a Thief and then appeared on other shows like Medical Center, The High Chaparral, Mod Squad and The Flying Nun. Eventually, he worked with the National Shakespeare Company and in the New York Shakespeare Festival, appeared in off-Broadway productions and, in one brief brush with Broadway, was a standby in The Ninety Day Mistress in 1967. Sierra was with a friend who was auditioning for an acting class when the teacher invited him to try some improvisation and was impressed. “It was hard to study to be a priest during the day and go out and plan gang warfare at night!” “I wasn’t going to be a priest!” he said. He attended the Cathedral College of the Immaculate Conception, a Brooklyn prep school for boys aiming for the priesthood. The neighborhood was rough, and Sierra flirted with gang life as a teen and once was knifed. “Everybody lived together - grandmother, grandfather, aunt, two uncles, mother, father … gradually everyone went their way.” “When I was a baby, we were a typical Puerto Rican family,” he said. 25, 1937, Sierra was raised by his aunt after his parents abandoned him when he was 6.
“We had been together six years, and her death leaves me feeling guilty as well as feeling the grief.”īorn on Jan. “We were separated at her wish,” Sierra said in 1978. Only two weeks into shooting the series, his second wife, Susan, committed suicide. Hudson Street debuted in 1977 but was canceled after six episodes.
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Those are the kinds of things we show on Barney Miller.”Ĭhano was written out of the series at the end of the second season so that Sierra could star in a new sitcom from Barney Miller creator Danny Arnold, this one set in a frenetic New York emergency room. You never see the frustrations of police work or the kind of joking that goes on among real policemen. Everything is always under control on that show. “The people in the show have real problems.
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“I think Barney Miller is much more real than any other cop show,” Sierra said in an interview for the 1976 book TV Talk 2: Exploring TV Territory. His colleagues believe he deserves a commendation, but a distraught Chano feels otherwise, and he breaks down and cries.
Nowhere was this better displayed than in the 1975 episode “The Hero,” in which his character kills two suspects while preventing a robbery. “Julio Fuentes? That don’t sound like no name - that sounds like somethin’ you get from drinkin’ their water.”Īfter he left that series, Sierra played one of the original detectives working out of the diverse 12th Precinct in Greenwich Village on ABC’s Barney Miller, joining Hal Linden, Abe Vigoda, Ron Glass, Max Gail and Jack Soo when the show premiered in 1975.Ī proud Puerto Rican New Yorker, Sierra’s Chano was dedicated and dauntless, a cop who emotionally invested himself in his work. “You know what the Puerto Rican national anthem is? ‘We’ll take Manhattan, the Bronx and Staten Island too …’ ” Fred complains to his son, Lamont (Demond Wilson), when he learns who’s moving in next door. Introduced in the second-season episode “The Puerto Ricans Are Coming,” Julio was an easy target for the crotchety, bigoted Fred (Redd Foxx). His career breakthrough came in 1972 when he was cast as the easygoing Julio, junkman Fred Sanford’s Puerto Rican neighbor, on NBC’s Sanford and Son, developed by All in the Family creators Bud Yorkin and Norman Lear. Cormac McCarthy, Author of 'No Country for Old Men,' Dies at 89
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